Bibliography

Al-Qattan, Omar. 2015. “Full Interview between Omar Al-Qattan and Yasmine Eid-Sabbagh.” Qattanfoundation.org, March 31. [Accessed 17 April 2020]. http://qattanfoundation.org/en/qattan/media/news/full-interview-between-omar-al-qattan-yasmine-eid-sabbagh.

Badovinac, Zdenka. Unannounced Voices: Curatorial Practice and Changing Institutions. Massachusetts: MIT Press. 2023.

Bayat, Asef. 2010. Life as Politics: How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press.

Barker, Joshua, Johan Lindquist, Tom Boellstorff, Chris Brown, Aryo Danusiri, Dadi Darmadi, Sherri Gibbings, Jesse Grayman, James Hoesterey, Carla Jones, Doreen Lee, Daromir Rudnyckyj, Rachel Silvey, and Karen Strassler. 2009. “Figures of Indonesian Modernity.” Indonesia 87: 35–72.

Berk, Gerald, Dennis C. Galvan and Victoria Hattam (Eds). Political Creativity: Reconfiguring Institutional Order and Change. Pennsylvania: University of Pennsylvania Press. 2013.

Bshara, Khalil, and Suad Amiry, eds. 2015. Reclaiming Space: The 50 Village Project in Rural Palestine. Ramallah: Riwaq, 93–103.

Bennett, Tony. 1995. The Birth of the Museum: History, Theory, Politics. London: Routledge.

Campt, Tina. A Black Gaze: Artists Changing How We See. MIT Press, 2020. ISBN 9780262546058.

Charnley, Kim. Sociopolitical Aesthetics: Art, Crisis and Neoliberalism. Bloomsbury Academic, 2021.

Cooke, Graeme, and Russell Muir, eds. 2012. The Relational State: How Recognising the Importance of Human Relationships could Revolutionise the Role of the State. London: Institute for Public Policy Research (IPPR).

Cooper, Davina. 2013. Everyday Utopias: The Conceptual Life of Promising Spaces. Durham, NC: Duke University Press.

Cooper, Davina. 2016. “Enacting Counter-States Through Play.” Contemporary Political Theory 15(4): 453–461.

Cooper, Davina. 2017. “Prefiguring the State.” Antipode 49(2): 335–356.

Cooper, Davina. 2019. Feeling like a State. Durham: Duke University Press.

Cooper, Davina, Nandini Dhawan, and Jamie Newman, eds. 2019. Reimagining the State: Theoretical Challenges and Transformative Possibilities. London: Routledge.

Davis, Diane E. 2017. “Informality and State Theory: Some Concluding Remarks.” Current Sociology Monograph 65(2): 315–324.

Dean, Jodi. 2012. The Communist Horizon. London: Verso Books.

De Cesari, Chiara. 2010. “Creative Heritage: Palestinian Heritage NGOs and Defiant Arts of Government.” American Anthropologist 112(4): 625–637.

De Cesari, Chiara. 2012. “Anticipatory Representation: Building the Palestinian Nation(-State) through Artistic Performance.” Studies in Ethnicity and Nationalism 12(1): 82–100.

De Cesari, Chiara. 2019a. Heritage and the Cultural Struggle for Palestine. Stanford: Stanford University Press.

De Cesari, Chiara. 2019b. “Anticipatory Representation: Thinking Art and Museums as Platforms of Resourceful Statecraft.” In Cooper, Davina, Dhawan, Nikita, and Newman, Janet (eds.), Reimagining the State: Theoretical Challenges and Transformative Possibilities. London: Routledge, 153–170.

De Cesari, Chiara. 2020. “Heritage beyond the Nation-State? Nongovernmental Organizations, Changing Cultural Policies, and the Discourse of Heritage as Development.” Current Anthropology 61(1): to appear in February 2020.

Diah Widuretno. Gesang di Lahan Gersang (Life in the Barren Land). Yogyakarta: CV Putra Surya Santosa & Sekolah Pagesangan, 2020.

Lee, Doreen. Activist Archives: Youth Culture and the Political Past in Indonesia. Durham: Duke University Press, 2016.

Doumani, Beshara. 2010. “A Post-Territorial Museum: Interview with Beshara Doumani.” Interview by Biemann, Ursula. Arte East Quarterly (Spring). Accessed from https://arteeast.org/quarterly/a-post-territorial-museum/?issues_season=spring&issues_year=2010 (accessed 17 April 2020).

El Baroni, Bassam. Between the Material and the Possible /. London : Oldenburg :: Strenberg Press ; 2022.

Escobar, Arturo. 2018. Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds. Durham and London: Duke University Press.

Ferguson, James. 2004. “Power Topographies.” In Nugent, David and Vincent, Joan (eds.), A Companion to the Anthropology of Politics. Malden, MA: Blackwell, 383–399.

Ferguson, James, and Gupta, Akhil. 2002. “Spatializing States: Toward an Ethnography of Neoliberal Governmentality.” American Ethnologist 29(4): 981–1002.

Gago, Veronica, and Mason-Deese, Liz. 2017. Neoliberalism from Below: Popular Pragmatics and Baroque Economies. Duke University Press. https://doi.org/10.2307/j.ctv1134frn.

Gell, Alfred. 1992. “The Technology of Enchantment and the Enchantment of Technology.” In Coote, Jeremy and Shelton, Anthony (eds.), Anthropology, Art and Aesthetics. Oxford: Clarendon, 40–63.

Gupta, Akhil. 2012. Red Tape: Bureaucracy, Structural Violence, and Poverty in India. Durham, NC: Duke University Press.

Gupta, Akhil. 2013. “Messy Bureaucracies.” HAU: Journal of Ethnographic Theory 3(3): 435–440.

Gupta, Akhil. 2015. “State, Corruption, Postcoloniality: A Conversation with Akhil Gupta on the 20 20th Anniversary of ‘Blurred Boundaries.’ Interview by Nugent, D., and Sreenath, S., American Ethnologist 42(4): 581–591.

Gupta, Akhil, and Sharma, Aradhana. 2006. “Globalization and Postcolonial States.” Current Anthropology 47(2): 277–307.

Haraway, Donna. 1988. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.” Feminist Studies 14(3): 575-599.

Hertz, Betti-Sue and Sreshtait Premnath. (Eds.). The Protest and the Recuperation. New York: Columbia University Press. 2022.

Gago, Veronica, and Mason-Deese, Liz. 2017. Neoliberalism from Below: Popular Pragmatics and Baroque Economies. Duke University Press. https://doi.org/10.2307/j.ctv1134frn.

Jessop, Bob. 2008. “The State and State-Building.” In Binder, Sarah A., Rhodes, R. A. W., and Rockman, Bert A. (eds.), The Oxford Handbook of Political Institutions. Oxford: Oxford University Press, 111–130. Accessed from http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199548460.001.0001/oxfordhb-9780199548460-e-7.

Juliastuti, Nuraini. 2022. Alternatif sebagai Strategi: Akses, Infrastruktur & Pengetahuan (Alternative as Strategies: Access, Infrastructure & Knowledge). Amsterdam: Reading Sideways Press.

Juliastuti, Nuraini. 2021. “Art to Live: Experimental Survival Strategies for Economic Independence in Alternative Cultural Arts Spaces.” In Mengeja Fixer 2021: Pembacaan Kolektif Seni Indonesia dalam Sepuluh Tahun Terakhir (Spelling Fixer 2021: The Reading of Indonesian Art Collectives in the past 10 Years), Jakarta: Yayasan Gudskul Studi Kolektif.

Juliastuti, Nuraini. 2020. “The studying-turn: Free schools as tools for inclusion.” In Khan, Nora, Kuoni, Carin, Ngcobo, Gabi, and Barta Portoles, Jordi (eds.), The Force of Art. Valiz, Amsterdam: This Classroom is Burning, Let’s Dream about a School of Improper Education. A chapbook written collectively with Kunci Study Forum & Collective, Ugly Duckling Presse, New York.

Juliastuti, Nuraini. F. Daulay and G.S. Kusuma. 2022. “Frictions of the ‘New Normal’: Figures of Covid-19 Solidarities in Indonesia”. In Lessons learned from COVID-19: Transforming a global crisis into global solidarity. Manila: Rosa-Luxemburg Stiftung.

Juliastuti, Nuraini. 2022. “Trajectories and tools for radical pedagogies”, March: Journal of Art and Strategy, Kunci Study Forum & Collective.

Juliastuti, Nuraini. “The School of Improper Education,” a journal article written collectively with Kunci Study Forum & Collective, Critical Times 3:3, pp. 20-32.

Juliastuti, Nuraini. 2019. Commons People: Managing Music and Culture in Contemporary Yogyakarta. Leiden: Leiden University.

Khalili, Yazan. 2018. “Cultivating Creative Spaces in Palestine.” Interviewed by Crasnow, Sam. FIELD 9 (winter 2018). Accessed from http://field-journal.com/issue-9/an-interview-with-yazan-khalili.

Laïdi-Hanieh, Adila. 2006. “Arts, Identity, and Survival: Building Cultural Practices in Palestine.” Journal of Palestine Studies 35: 28–43.

Witz, Leslie, Ciraj Rassool, and Gary Minkley. 2017. “The Castle, the Gallery, the Sanatorium, and the Petrol Station: Curating a South African Nation in the Museum.” In Unsettled History: Making South African Public Pasts, edited by Witz, Leslie et al., 99-123. Ann Arbor: University of Michigan Press.

Mitchell, Timothy. 1991. “The Limits of the State: Beyond Statist Approaches and Their Critics.” American Political Science Review 85: 77–96.

Mundy, Jacob. 2007. “Performing the Nation, Pre-figuring the State: The Western Saharan Refugees, Thirty Years Later.” Journal of Modern African Studies 45(2): 275–297.

Roy, Ananya. 2012. “Urban Informality: The Production of Space and Practice of Planning.” In Crane, Randall and Weber, Rachel (eds.), The Oxford Handbook of Urban Planning. Oxford University Press. Accessed from https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195374995.001.0001/oxfordhb-9780195374995-e-33.

Scott, James C. 1998. Seeing Like a State. New Haven, CT: Yale University Press.

Spinelli, Aria. Danilova, Alexandra. Groys, Boris. Gutfrański, Krzysztof. Henty, Suzannah. Morariu, Vlad. Novotný, Michal. Power, Nina. Sowa, Jan. Warsza, Joana Timár Katalin. Tsereteli, Wato. Weibel, Peter. 2018. Shaping Desired Futures. Rome: Nero Editions.

Stoler, Ann. 2016. Duress. Durham: Duke University Press.

Stoler, Ann Laura. 2018. “On Archiving as Dissensus.” Comparative Studies of South Asia, Africa and the Middle East 38(1): 43–56.

Taylor, Mary N., Jeanet Sarbanes. 2023. “From Islands of Commons to Collective Autonomy”. E-flux Journal. Accessed from https://www.e-flux.com/journal/136/537317/from-islands-of-commons-to-collective-autonomy/ .

Toukan, Hanan. 2021. The Politics of Art: Dissent and Cultural Diplomacy in Lebanon, Palestine, and Jordan. Stanford: Stanford University Press.

Toukan, Hanan. 2018. “The Palestinian Museum.” Radical Philosophy. Accessed from https://www.radicalphilosophy.com/article/the-palestinian-museum.

Taylor, Diana. 2006. “Performance and/as History.” TDR 50(1): 67-86.

Wevers, Rosa. 2019. “Decolonial Aesthesis and the Museum: An Interview with Rolando Vázquez Melken.” Stedelijk Studies Journal 8. Accessed from https://stedelijkstudies.com/journal/decolonial-aesthesis-and-the-museum/. [Accessed 17 May 2022].

Witz, Leslie, Ciraj Rassool, and Gary Minkley. 2017. “The Castle, the Gallery, the Sanatorium, and the Petrol Station: Curating a South African Nation in the Museum.” In Unsettled History: Making South African Public Pasts, edited by Witz, Leslie et al., 99-123. Ann Arbor: University of Michigan Press.

Zaayman, Carine. 2023. Anarchival Practices: The Clanwilliam Arts Project as Re-imagining Custodianship of the Past. Berlin: ICI Berlin Press. https://press.ici-berlin.org/catalogue/doi/10.37050/wpc-ca-01